Listen to Taina on Spotify. Kach · Song · 2018.Find album critiques, circulate songs, credit and award data for Taina - Original TV Soundtrack on AllMusic - 2002Social justice artist Taína Asili has composed and written a liberation song - in collaboration with One Billon Rising, entitled "We Are Rising." We are commemorated that Taína has created this new anthem for One Billion Rising. It is a call to action, to bop, to RISE.Angutivaun Taina is a popular song by means of Genna Diy | Create your individual TikTok movies with the Angutivaun Taina song and explore Zero videos made by way of new and common creators.
The Taina theme song is just as uplifting two decades later (Picture: Nickelodeon/YouTube)Tainá Barbosa. 1,097 likes · 10 talking about this. Nasci por um propósito e ele vou cumprir! Tainá Barbosa possui o álbum "Enche-me" que pode ser acessado nas principais plataformas de streaming....Táina Lessa. fifty eight likes. Song. Facebook is showing data to help you better understand the purpose of a Page.Joyce Taina e Igor Guerra. 153 likes · 1 speaking about this. A dupla mais apaixonada do Brasil! @joycetaynaof @igorguerraoficiall Baixe Agora CD Completo...Taina is an American sitcom that aired on Nickelodeon and dispensed by way of Nelvana Limited. It was once one of the vital remaining live-action comedy presentations taped at Nickelodeon Studios however later moved to the Nickelodeon on Sunset in Hollywood, for its 2d season. The display aired from January 14, 2001 to May 11, 2002. 1 Premise 2 Cast and characters 2.1 Main 2.2 Recurring 3 Development and production 3.12018 F150 Colors The Tale Of Dead Man's Float How To Draw Male Anime Eyes Single Line Font How Many Tons Can A Dump Truck Haul 1960s Shift Dresses How To Make A Good Sugar Baby Profile Flames Transparent Png Check The Mail Sims Freeplay Can Diamonds Shatter Different Types Of Pringles
When Taina Asili arrived in Washington, D.C., on January 19th to play a live performance for DisruptJ20 in protest of Donald Trump’s inauguration, her center was once heavy. “I was feeling in reality scared,” Asili tells Rolling Stone. “I was feeling worried for what used to be to come back.” But that weekend, when she additionally carried out at the historical Women’s March on Washington and heard speeches from the likes of Angela Davis and Janet Mock, the Albany, New York, musician and activist felt her standpoint shift. “When I appeared out at the audience of just about 1 million marchers, I felt a sense of hope like I hadn’t felt in a long time. I felt compelled to take the power I won from that day and turn it right into a song to provide for this movement.”
The result's “No Es Mi Presidente,” an anthemic tear into Trump’s racism and sexism that Asili is freeing today in harmony with the “A Day Without Women” common strike. Asili has spent her existence devoted to prison, climate and gender justice, as well as playing song for greater than twenty years, most lately with Taina Asili y La Banda Rebelde. The song’s lyrics emphasize the interconnected struggles of feminist organizing, the battle for immigrant rights, Black Lives Matter and the Standing Rock protests. Asili adds: “I sought after to have my tune video be a contribution to the continued work that we’re doing as a feminist movement to withstand the Trump regime and all that it symbolizes.”
She spoke to RS this week concerning the symbolism of the “No Es Mi Presidente” video and song’s place in the anti-Trump resistance motion.
What is depicted in the video for “No Es Mi Presidente”?The video includes a television with clips of various scenes that signify white supremacy, patriarchy, the desecration of sacred websites and harm to our earth. In the video, I spoil the television as symbolism for smashing those concepts, making approach for one thing new – the use of all the gear that we’ve accumulated from our activist movements through the years. For me, I see the work we’re doing now as a part of a legacy of resistance.
Some of the ones scenes include Barbara Smith and Naomi Jaffe talking in regards to the historical past of our movement. Barbara Smith is a long-time black lesbian feminist activist. Naomi Jaffe is a white feminist activist and former member of the Weather Underground. Another scene is other people teaching find out how to do civil disobedience. Another is a self-defense elegance. When I was starting my finding out of feminism, learning the right way to bodily offer protection to my body was profound. We are so inundated with violence right now. As a brown, queer girl in this nation, strolling out of doors my door, my lifestyles is in peril. Then you notice a circle of folks celebrating our cultural heritage, the use of African dance and local drumming and different types of celebration to reclaim our culture because it’s trying to be stolen from us. To dangle house for it, to be able to rejoice our humanity within the face of inhumanity.
At the tip of the track video, this smashing of the television is actually me developing an altar. A large number of occasions when people are taking a look at activists from the out of doors, they are going to see anger, violence. The different [facet] is that we're clearing out to create one thing new, something non secular, something powerful. I wanted to wrap up the video with that figuring out.
Why was once it important to you to offer this as a bilingual song?I’m Puerto Rican and I grew up bilingual. Numerous my song has a tendency to be bilingual. As the Trump regime has taken dangle, Latinos on this nation are being focused, in particular folks who are undocumented, but I'd say Latinos normally throughout this country are targets. I wanted to use this language as a voice to express our dissent, our resistance. But I also sought after for the song to connect with English audio system, too. So, the refrain is in Spanish, but the verses include both Spanish and English for a way for it to be available to as many of us as imaginable.
How do you see music taking part in a task within the resistance to Trump?Within my tradition and my other people, Puerto Ricans, we have always used song as a tool of resistance in our folkloric artwork. I see this tune as part of that legacy. In basic, we’ve seen, right through the arena, representations of that, whether or not we’re looking at resistance songs in South Africa or people songs, hip-hop, jazz. All of those genres in reality come out of musical actions of resistance. What we'd like more now than ever is to proceed that legacy. What I resonate with now greater than ever is artists which might be speaking fact to energy and the usage of their voices to create a platform for social trade to be extra visual.
I educate social-justice songwriting workshops. And a large number of instances people ask me, “Do it's important to be an artist or a songwriter to be in those workshops?” I at all times say no, because I believe that we need to experiment as much as possible with opening up our ingenious selves, in order that we can assume creatively about answers for this international. We absolutely have to hold a not unusual house for creativity. Where we’re at on this world, and what we’re facing, we are going to want ingenious solutionaries to make it through this second.